Author Interview – Ectorius Angel

Author and Poet

It’s time to meet Author and poet, Ectorius Angel, and find out more his writing journey.

Helen: Welcome, Ectorius. It’s a pleasure to meet you. Tell us about your work.

Ectorius: People keep asking me about a book. I have tried so hard to be honest and say that I do have one, and I do, but it’s one that can’t be published any time soon, in the hands of a lovely publisher called Curious Corvid Publishing. It’s called The Flowers of Hades, and it’s perhaps the roughest, but somewhat also more original works I’ve ever written. I wish I could tell you more about it, let you know what else there is to say, but right now, all I can really say is that it will come when it is time. I wish I could say a lot more about it and my second book, called Remember We Once Lived. A story about Alexander the Great and Hephaestion. That is the most heartfelt, poetic, and truly hardest work I’ve ever written in my entire life. I have cemented over five years of research and archeology, academic research and historical research just to have the general knowledge and understanding of Hephaestion’s and Alexander’s inner lives. These are in the hands of Ravven White of Curious Corvid Publishing right now. However, more than anything, I’m a poet, and I guess, in some way, instead of a current book, I’d of loved to say that I have many poems coming, because there have been quite a lot that has been sent in to poetry journals, magazines, art centers, and so much more. That is my biggest pride to announce, more than any other book. I come from poetry, and poetry is what made me.

Helen: Congratulations on your forthcoming publications, and I bet the waiting for your books to come out is excrutiating. Have you had sight of the covers yet?

Ectorius: I’m sad I can’t really say much here. Covers are something I believe come at the end, once the book has been made ready for publishing. Right now, I don’t really know what it would be like, or what its design will look like just on principle. We have great designers in Curios Corvid, and many others in other publishers and whatnot. So, hopefully, it will be beautiful, and I think simplistic, because that’s what I would like to be.

Helen: How did you come up with the title for your book?

Ectorius: The Flowers of Hades wasn’t its original name. In reality, it was very far from that name. There are characters based off of a lot of other people, but two female characters are based majorly around the bad and the good parts of my partner, Finian, who has been by my side for years. Originally, it was named something entirely different. It had…Four titles, before settling on that. Titles are…They are the body of my work. I know how stories will end, I know how tragedy will come and what I need to suffer through to write it. I never plan, I hate planning, I find it absurd and it makes no sense in any capacity. You write to feel something; you write because you feel.

Helen: I think everyone has a different way of writing and as long as you continue to love what you do, and you enjoy writing then that is what works for you. What made you write this particular book?

Ectorius: I want you to imagine walking into a bedroom; it belongs to someone you once loved, or knew, or someone you hated. But it still belongs, regardless, to someone. There are books there, clothes, items, things you don’t know much about. It’s the inner life of someone else. Someone you’ll never get to see, and however you feel, never get to resolve anything with. How you feel is up to you, and it’s for nobody to shame. And you stand there, looking, alone, not a word to your mouth, a smile to your face. Just a torn, empty self that can only be ready to get rid of everything to never feel it again. A hatred or a desire to get rid of something so strong. It’s how ordinary people or ordinary writers will never understand why I prefer solitude, why love doesn’t kill loneliness, or the suffocation I feel every day when someone mentions the name of a person I know, or when they tell me “Why can’t you do something so simple?” When my mind is constantly busy, and I easily lose track of things. I’m never there, even in the most important moments; I’m always unreachable. I guess that’s why I wrote the book, why I write anything at all. I can’t live without writing, and I can’t write without suffering living. Every day is a constant wish for an eternal rest without the call of writing in a modern age, but I know that if I stop even once, I’ll want to kill myself here and now, and that is the worst and best thing I have ever been able to say about why I write anything.

Helen: Creating a work of art can be consuming. As always, balance is important. Life feeds creativity and creativity feeds life. If you don’t experience one, how can the other exist? When did you first realise you had such a passion for writing?

Ectorius: I never really realized it. I was too young to really understand. I knew that some days I’d walk outside in Italy or Germany and I’d just stop. There’d be a bird, or a hawk or a butterfly or even just the light off of the edge of a ledge of another building. The sunlight, the grass, a sway of blades that feels like a caress. I guess to answer the “When” of it, it’d be earlier than I can really remember. So early it just came to me, and by nine, I had a mentor who was a published author of whom I studied under.

Helen: On your writing journey was there anyone who gave you the inspiration to write?

Ectorius: That’d be my mentor, Jules, and my friends. Ana Monica Banto, Dr. Catherine Sooyun Lee, Iselin Lørentsen, Stefani Stamboliyska-Murffit, Joshua Sell, and James Johnston and Patrick Walsh, now known as Vox Forged as a voice actor. Without them, I wouldn’t really be here. But more than anyone else, it is also Finian Sun, my partner, to whom I owe everything, now and any time in the future.

Helen: I know you write poetry, but for fiction, which genre do you typically write?

Ectorius: Romance, historical romance, romantic poetry, travel poetry and in general just contemporary romance. Much of it is to do with the fragility of life. How a shadow falls on a wall and we look at it, quietly, unmoving. How the touch of a hand says you are safe. Or even how an old motorbike leaning against a wall can be the last drop of a memory that you never want to let go of. Human sensuality, gentleness, fragility, the seconds of quietness between moments. And especially the fractured parts that show our most vulnerable selves.

Helen: Who is your protagonist and why did you write her/him?

Ectorius: He is David, a boy who isn’t quite understood by others, or by those around him. He’s an outsider, a travelling nomad, someone who can’t quite be the thing everyone wants. Having lost a lot, seen more funerals than I can really count on two hands at the age of twenty-seven, it… It makes you look on a lot. On those you’ve lost, the people you’ve remembered, the smiles, everything else. That led to this. Writing about seeing the world from a writer’s perspective, but hurtful, emotional, raw. So raw that even my own lecturer had to email me and ask me if I was alright haha.

Helen: If your Main Character could answer, why would they say we should read your book?

Ectorius: I think the main character wouldn’t want anyone to read his book. It’s a diary entry of every day life, of existing. One could even say it’s the deepest and most vulnerable emotions out there, and that alone would make him scared of anyone ever really reading it.

Helen: How do you get the ideas for a new book?

Ectorius: Some days I will look at something and eventually that little something turns into more. The flicker of a light at a traffic stops during the rain in Tokyo, or the calm walk through Roma as you see tourists and the shadows that linger just a little over the ancient ruins. There’s a story in everything, every part of life, and in some manner, it just comes by itself. I believe the stories that need to be written, come to their own designated writer, their own storyteller. A small spark of a flame that gently carries its heat onward until it reaches the wandering one.

Helen: Are you working on anything new? Could you tell us about your current WIP.

Ectorius: I am currently working on publishing three poetry collections when and if I can, and a non-fiction work that I’ve started with my undergraduate. It was originally written as a study paper of sorts for writing purposes. Now it’s a more truthful and vulnerable piece. An exploration of a person’s inner life, the dreamscape of it all, the bond between reality and surrealism. It’s a work very much like Murakami’s.

Ectorius has had poems published in Era Lit Magazine. You can read the poems here.

Helen: Which element of the writing process do you find most challenging and why?

Ectorius: I’d say editing, but having been an editor, now it’s more or less quite facilitated. If anything, telling the truth in writing. The way of being vulnerable and open, and honest to the point of feeling hurt by it. There’s a harshness in writing truthfully, and it requires you to be hurting, the kind of pain that you can’t just accept and walk away from. Had it not been for that, I don’t know what I’d do.

Helen: What is one of the most useful resources you use when writing?

Ectorius: I do not really utilize resources. I have a pen, a notebook, and a paper. That’s it. Everything else is purely writing, as it always has been.

Helen: What is the most useful piece of writing advice you’ve received, and by whom?

Etorius: “Write truthfully” by Judith Heneghan, my lecturer. And “Ordinary people and their opinions don’t matter. They’re nothing. Stories, stories are everything. Write them, because you’re one of the few that are born with it. You have a duty, and that duty is solely yours.” by a very close friend and author. These two are the most important parts for me. And I think they always will be.

Helen: Every writer experiences self-doubt. How do you overcome the fear and the little voice in your head to keep writing?

Ectorius: I spent at least twenty minutes to think about how to answer this. Truthfully? I don’t really have any doubts. I never really did. I wish I did, and I wish there were ways for me to say so, but I don’t. I write because I know what I am, and that alone makes me not need doubts. It never really did.

Helen: How do you fit your writing into your everyday life?

Ectorius: Everything I do is writing. My partner would tell you so, even my friends, even the people who truly know me. I could be conversing with someone, and in the end, I’m not even thinking about them or the conversation, but the dust on their jacket or the light of the window, a bird on a tree branch. I’m never there, even on the most important days, like a date. There have been times where my beloved has caught me just looking at buildings, windows, the sea, and anything else in-between. Sound comes and goes, and I remember what’s said, but I can’t quite say I’m ever really there. Every action, just like breathing, is writing. What I see, sense, feel, touch, eat, endure, or otherwise simply have any form of sensory contact with in any capacity, becomes writing.

Helen: Do you listen to music when you write, if so, what do you listen to and why?

Ectorius: I do, and I don’t. Some days I need silence, loneliness, and other days I need music. I listen to Kensuke Ushio, Ryuichi Sakamoto, Kenichiro Suehiro, Masaru Yokoyama, Ichiro Araki, Takeshi Obo, Konomi Suzuki, Kanzaki Iori, and Haruka Nakamura. There’s even a playlist called Orchestra Et Sum, a collection of every orchestra, instrumental or otherwise sentimental based pieces I’ve listened to and like and that are part of my inner life. It’s a 57 some hour playlist on Spotify haha. I listen to them because I need time alone, I need to be able to process what I feel, how, why. And I need… A space to be quietly vulnerable without anyone and anything around. Music and silence do that. Especially the artists and playlist I’ve mentioned.

Helen: How much research do you do for each book?

Ectorius: Hephaestion’s and Alexander’s story took me five years of research before writing, because they’re historical people. Generally, I will dedicate a lot of time to research if it’s realism. But if it’s not, not a lot. I just write what I remember and experience.

Helen: From a writing perspective, are you a pantser or a planner? Do you write free form, or do you have a framework you stick to?

Ectorius: I already know the entire story just by the title alone. Titles, for me, are everything. They’re the se piece, the dressing room, the lighting and sound design. They’re every part of it. Most readers won’t really get it and they’ll sort of skip away from the title and into the nitty gritty of things, but I base everything around a feeling and a title. Especially because I already know how it will end. It’s like a surge, where an entire 500 some pages of a story come into your mind, bombarding you, trying to kill you if you don’t write it. I’m a hostage to my own work.

Helen: It sounds like you are typically quite prolific, but have you ever encountered writer’s block? Do you have any advice to overcome it?

Ectorius: I’ll be as frankly honest as I can here: I suffer. I harm myself with alcohol and isolation, and sometimes I don’t even do anything good for myself at all. Not being able to write is insanity for me. It kills me, slowly, until I’m at its mercy. It’s only been in the last two years that I’ve learned to deal with it differently. Finian usually sees when I’m struggling and ends up making us have a vacation or something else. I love her, because she knows what I need, and I don’t quite know how to explain that to anyone. It used to be worse; I used to spiral into the worst depths of darkness out there when I was far younger. Monica pulled me out of that, so did Ms. Catherine Lee. And James Johnston. There have been many times where not being able to write was a true danger to myself and nothing but an endless cycle of suffering.

Helen: Do you have a burning desire to write in a different genre? If so, what would you write?

Ectorius: If I didn’t write in romance, I… I would probably write in something that has a close proximity to the stylistics of Film Noir.

Helen: What is the best thing that has happened to you since you began writing?

Ectorius: I became a published poet. I got to see the world, learn about its beauty and underlying parts. I got to love, be loved, and experienced hatred, wrath, and every other emotion out there. I guess what I’m trying to say is: I got to truly experience life in the most wonderful manner, so much so that I am never quite sure if I ever walked out of the dreamscape.

Helen: What is your favourite book and why do you like it so much?

Ectorius: Savannah Brown’s “Sweetdark” and “In Praise of Shadows” by Jun’Ichirō Tanizaki. Poetry for me is important; it’s the root of where I started, and you could say the same for Savannah Brown, too. It’s where she started as well. I never got to meet her and such, but I figure we’d both understand each other if we ever did. And In Praise of Shadows by Tanizaki would probably be something that taught me a lot about how to utilize silence, light, architecture. Especially how important this aesthetic really is. In the west, they don’t understand it. I’m Lithuanian by birth and even I cannot really lean toward western ideals anymore. It’s too barbaric, too rough. And I guess my third favorite, or most liked book, not quite the word “favorite” for any of these… Would be “No Longer Human” by Osamu Dazai. It’s the most self-inflicted vulnerability out there, and if anything, the most raw example of writing truthfully no matter how badly it hurts.

Helen: I know authors are great readers. What are some of the books you read recently that you would recommend to others?

Ectorius: I… Would recommend philosophy. Especially Aristoteles’ work, Franz Kafka, or even the ancient greats and the philosophers of our time. Kant, too. Schopenhauer. I think discipline, philosophy, linguistics, the humanities, history, archeology, sociology, anthropology, the fine arts, literature, poetry. These are the most important foundations for anyone. I can’t recommend just “one” book so to speak. If anything, I would highly recommend discovering the world through philosophy and the classics, because I did, and I think everyone else should too.

Helen: We nearly at the end of the interview. Thank you for sharing your passion for writing. Is there anything anecdotal you’d like share.

Ectorius: When I first moved elsewhere, I got lost trying to understand the language. I asked five different people about how to say thank you and I’m sorry. An hour later, I discovered I didn’t really need it, because I was a stranger anyway. So I asked a neighbour what to do, and she laughed and simply gave me food. That’s how I learned that it’s not about communication, but that kindness had been right there in front of me, and I was asking how to ask for it, instead of accepting what I had.

Helen: Thank you so much for joining me today. It has been really interesting chatting with you, and I wish you success with all your endeavours. Just to close us out, what advice would you give new writers?

Ectorius: Write what you want, in the end, once you’re 20 or 30, only really some classmates and strangers can judge you. Nobody else. Your story is yours, and so are your feelings, and nobody has the right to shame that. Now or later. If you’re born as a poet or an artist, you have a sole duty of carrying on the legacy of art; that is the only thing that will and should ever matter to you. Nothing and nobody else is above your destiny.

About the Author – Ectorius Angel

Ectorius Angel is a Lithuanian poet and classical author whose work weaves themes of displacement, impermanence, and the unsaid moments that shape human experience. Raised across Europe and now residing in Norway and Hong Kong, he draws from influences spanning Eastern traditions to Western romanticism.

His writing reflects a deep appreciation for minimalism, resonating with the balance of light and sound, often evoking nature’s shifting seasons. Through vivid imagery, Angel conjures tidal waves and gentle landscapes, using water and rain as metaphors for emotion and capturing beauty in fleeting moments. This connection to nature underlines his explorations of nostalgia, loss, and the sense of being a ghost—an observer in a distant world.

Mentored by an Australian historical author, Angel’s literary journey centers on the complexities of human existence. He delves into the brokenness of heroes and the disillusionment that accompanies admiration, prompting readers to reflect on life’s fragility and intricate relationships.

Inspired by luminaries like Osamu Dazai, Haruki Murakami, and Yukio Mishima, along with Western influences like F. Scott Fitzgerald and Oscar Wilde, Angel’s poetry transcends cultural boundaries. As an artist from marginalized post-USSR Lithuania, he channels cultural displacement into his work, viewing it as resistance against a world driven by greed and power.

Despite the challenges of his fading cultural legacy, Angel’s writing stands as a testament to resilience. His lifelong search for “home” and reflections on grief are imbued with emotional depth, inviting readers to connect with the beauty and pain of existence. Ultimately, he is remembered as a poet who illuminates the complexities of life, crafting meaning from desolate places.

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Author Interview – Debalina Halder

Literary fiction Author

It’s time to meet literary fiction author, Debalina Haldar, and find out more about her book: The Daughters of Shantiniketan, a tale of forbidden love and generational struggles that released in September 2025.

Helen: Welcome, Debalina. It’s a pleasure to meet you. Tell us about your latest book.

Debalina: The Daughters of Shantiniketan is a work of fiction and largely revolves around an aristocratic and orthodox Rabindranath Tagore-worshiping family in their ancestral mansion called Shantiniketan situated in the heart of Kolkata. Charulata, also called Charu, is the protagonist of this novel. She is the ideal progeny of the aristocratic family. The novel gradually reveals how her individual honesty and virtue, coupled with the hard-hitting questions about her beliefs raised by a carefree boy, enable her to rise above the pre-set notions that she has lived by all her life. The novel explores the troughs and crests of the sea of human emotions and as Charu sails through each of them, the readers discover how Tagore has weaved a song on every human emotion.

Helen: It sounds like an interesting tale set against the musical and literary backdrop of Tagore. Is there a story behind the cover?

Debalina: The cover shows the family mansion called Shantiniketan, which is also the name of the learning abode established by Rabindranath Tagore decades ago. It is symbolic of the extent of Tagore-worship. The family mansion, the very many Tagore portraits around the house, and of course the name – all of that is an outwardly attempt to show the world how the family has been a generational connoisseur of Tagore. However, the mansion fails at retaining the essence of being Shantiniketan, which translates to ‘abode of peace’. As we read the book, we find the mansion is anything but that… as the portraits on the walls witness the lies, secrets, conflicts, and silent tears.

Helen: There are always secrets hidden behind the walls! What made you write this particular book?

Debalina: Growing up in the 90s and early 2000s in Calcutta, we were beginning to witness a slow change in the kind of music that were being made. These new, free-spirited music was commonly called Jibonmukhi Gaan or Life-ward Music. I still remember, we had an essay topic for our exam in school – If we are now listening to life-ward music, were we listening to death-ward music for so long? And these so-called life-ward music compositions had begun to spread their reach to the songs by Tagore as well. In my impressionable young mind, this conflict had settled deeply and I’m happy to have liberated it so many years later. There exists an undeniable anxiety in the Bengali intelligentsia over the “purity” of Rabindrasangeet (songs written by Tagore) in the various renditions by artists. This gives them an entitlement to guard this “purity”. This tug of war between traditional and modern renditions of his music is explored in this novel.

Helen: An environment of many experiences certainly supports creativity. When did you realise you had a passion for writing?

Debalina: When I was a child, I grew up surrounded by books. Week by week, month by month, their numbers multiplied until they felt less like objects and more like companions. My father’s frequent job transfers meant I attended five different schools, but in all that moving, it was the books that stayed. They shielded me from the ache of losing friends to distance, from the fragility of belonging. By the time I was seven, I had already learned that love and loss are constants of life, and perhaps that was when writing began to draw me in.

Helen: I’m glad you had your books around you, and I can see why they would be important to you when you were constantly on the move. The Daughters of Shantiniketan was your third novel. Tell us what you are working on next.

Debalina: I am wrapping up my next literary novel. While this work also has strong women characters who must support each other in adversity, it focuses on motherhood and its many forms.

Helen: Thank you so much for joining me today. Just to finish, with your books containing a lot of history, and references to real artists and their works, how much research do you do for each book?

Debalina: I spend a significant amount of time researching for my books. I explored contemporary musicians who reinterpret Tagore’s works as part of my research for the latest novel. It is refreshing to see musicians reimagining classical music written by Tagore (Rabindrasangeet) with a contemporary resonance, bridging the past and the present. They certainly gave me vivid ideas about Bolai’s free flowing songs in the novel. I also explored the complex relationship between Rabindrasangeet and the tradition of Carnatic music on one hand and local folk music on the other. How the usage of technology and modern instruments strengthens and sometimes weakens traditional compositions!

Around the time that I was writing this novel, I was also reading a lot about the women in Tagore’s life, some of whom might have influenced him to write songs. I read Jorasanko and The Daughters of Jorasanko by Aruna Chakravarty, Kadambari Debi’s Suicide Note by Ranjan Bandyopadhyay – amongst many others. I found women and their silent rebellions in these books – women from Tagore’s own family. How brave of these women to have stood against the looming patriarchy in every brick of the house and yet, create a place of their own! That moved me deeply.

About the Author – Debalina Haldar

Debalina Haldar writes in the literary fiction genre. Her novel, The Female Ward, was published in October 2012, by Thames River Press (UK). Her second book, Wrinkles in Memory, is a collection of 22 short stories. It was published in August 2016 by Lifi Publications. Wrinkles in Memory was shortlisted for the Sahitya Akademi Yuva Puraskar for books in English in 2020. Recently, in 2025, her third book, The Daughters of Shantiniketan, was published by Readomania Publishing.

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Author Interview – Gabriel Garcia

Historical Fantasy Author

It’s time to meet Indie author, Gabriel Garcia, and find out more about his books which are set in an alternate Roman empire.

Helen: Welcome, Gabriel. It’s a pleasure to meet you. Could you tell us about your latest book, The Wolf of Rome?

Gabriel: I’m currently immersed in the success of my latest novel, Decimus: The Wolf of Rome, the thrilling sequel to Amyntas: Son of Persia. This new installment spins off from my previous work, The Gathering, and continues to explore its richly crafted universe.

In The Wolf of Rome, we follow the daring adventures of Decimus Aquila, a courageous Roman soldier on a perilous mission to rescue his comrades from the ruthless grasp of Hannibal. Set in an alternate history in which Rome falls to Carthage during the Second Punic Wars, the stakes are higher than ever. Join Decimus as he navigates treacherous battles and unexpected alliances in a world where the outcome of history hangs in the balance.

Helen: This sounds great and gives me Gladiator vibes. You must have had fun twisting history. Tell us your ideas behind the cover design.

Gabriel: For the cover design, I envisioned something striking, reminiscent of the captivating style seen in “Son of Persia.” Picture a fierce warrior boldly standing front and center, commanding attention. I wanted the font to echo the same concise elegance, creating a unified look. The inspirations behind this vision are truly remarkable—authors like Conn Iggulden, Simon Scarrow, and Valerio Manfredi have not only shaped the book’s narrative but also significantly influenced its visual identity. Their powerful storytelling and dynamic imagery guide the aesthetic we aim for.

Helen: How did you decide on the book title?

Gabriel: When I first set out to title my book, I envisioned something that echoed the many familiar tales of ancient Rome. I wanted a nod to the classics, something that would resonate with readers. The initial title, “Decimus: Wolf of Rome,” seemed appealing at first. However, as I delved deeper into the editing process, I found it too generic for my liking.

After contemplating various options with my editor, we decided to pivot. By transforming the title into “The Wolf of Rome,” it not only captured the essence of my character, Decimus, but also infused the entire narrative with a sense of identity and intrigue. It felt like the perfect fit—bold and evocative, drawing readers into the world I had created.

Helen: Writing against a back drop of real historical events must be quite a challenge. What made you decide to write this book?

Gabriel: In the midst of the lockdown, when the world seemed to come to a standstill, I found myself deep in the throes of graduate school. To keep my mind active and my creativity flowing, I embarked on a new writing journey. After finishing the first draft of my third book, Michael: Last Angel of Earth, I was eager to maintain that momentum and dive into another project.

Helen: Tell us a little more about Decimus, your protagonist. Why did you write him?

Gabriel: In my novel, The Wolf of Rome, the heart of the story beats through the figure of Decimus Aquila—a valiant Roman soldier and devoted family man. He embodies the noble spirit of iconic characters like Maximus from Gladiator and Marius Titus from Ryse: Son of Rome, paying tribute to their legacies. Decimus’s journey is one filled with courage, love, and the relentless pursuit of honor in a world teetering on the edge of chaos. Join him as he navigates the trials of war and the bonds of family, crafting a tale that resonates with the timeless struggles of the human spirit.

Helen: If Decimus could answer, why would he say we should read your book?

Gabriel: If Decimus were able to speak, he would passionately declare that The Wolf of Rome transcends mere literature; it’s a vivid historical account of Rome’s resilience and the immense sacrifices etched into its history. This book unfolds like an epic saga, weaving together tales of bravery and endurance that chronicle the trials of the past and draw readers into the heart of Rome’s fight for survival.

Helen: Decimus is a great advocate! How do you get the ideas for a new book?

Gabriel: Honestly, films, movies, video games, and various other works of fiction have always captivated me. I’m continually inspired by the incredible creations I’ve encountered throughout my life. Each story and character leaves a mark, fueling my passion and creativity in ways I never expected.

Helen: With your book now out, what are you currently working on?

Gabriel: Step into 16th-century Japan with my exciting work-in-progress, the first installment of an enthralling samurai trilogy titled The Failed Quest: The Seven Blades of Nobunaga, set to hit shelves in 2026. This riveting tale follows the journey of Sugi Akimoto, a young and ambitious samurai who embarks on a remarkable ascent in the service of the notorious Oda Nobunaga. Alongside a diverse and dynamic team of warriors—featuring a cunning French mercenary, a battle-hardened Dutch soldier, a one-armed samurai ronin, a wise Shaolin monk, a stealthy shinobi, and the legendary Yasuke himself—Sugi navigates the treacherous waters of loyalty, honor, and ambition in a world where every decision can lead to glory or death. Get ready for an adventure filled with intrigue, action, and unforgettable characters!

Helen: Oh my, a completely different setting and a lot more research! You said you were writing during lockdown, but when did you realise you had a passion for writing?

Gabriel: From a young age, back in third grade, I discovered a spark for writing that has only grown with time. However, it wasn’t until my graduate school journey in 2020 that I truly dove deep into this passion, uncovering layers of creativity I never knew existed.

Helen: The Wolf of Rome is alternate history, but which other genres do you write and why?

Gabriel: I find myself captivated by the worlds and narratives that emerge in historical fiction, science fiction, fantasy, alternate history, speculative fiction, and epic fantasy. These genres are not just my favorite to write in; they are the ones that have sparked my imagination through countless hours of reading. Each story I craft is a thrilling journey, a chance to explore the unknown and reimagine reality in fascinating ways.

Helen: Who is your favourite character from your book?

Gabriel: One of my favorite characters is Michael. His journey in the first book stands out as one of my proudest achievements, alongside Decimus. The way he battles his trauma is deeply relatable, capturing the emotional weight of his struggles. By the time you reach the end, it’s impossible not to feel a sense of joy for him. His growth and resilience truly resonate with readers, making his story unforgettable.

Helen: Who first inspired you to write?

Gabriel: I still vividly remember my third-grade teacher, Mrs. Troost, who sparked my love for writing. It was in her classroom that I experienced the thrill of creating my very first story—an adventure inspired by the magic of Halloween. Her encouragement transformed my imagination into words, forever changing the way I express myself.

Helen: That is so wonderful that your creativity was supported from an early age. Which element of the writing process do you find most challenging and why?

Gabriel: The most challenging aspect of writing for me is mastering the art of show vs. tell. At my core, I’m a descriptive writer who thrives on crafting vivid, evocative portrayals of characters and settings. I tend to get lost in the details, pouring my heart into aching descriptions that bring every scene to life.

Helen: That is what makes editing so difficult. Recognising when you’ve got carried away and need to trim it back. We may love it, but does it add value to the story’s progression? Now you been writing and publishing for a few years, what is the best thing that has happened to you since you began writing?

Gabriel: Connecting with fellow writers has been an amazing journey for me! Since I started writing and publishing my own books, I’ve had the privilege of meeting some truly inspiring authors both locally and globally. One of the highlights of this experience has been joining a vibrant local writing chapter in Orange, CA, where creativity and camaraderie have fueled my passion for storytelling even more. Each encounter opens up new worlds of ideas and inspiration!

Helen: The writing community is very supportive. Having like minded people you can use as a sounding board is so helpful. What is one of the most useful resources you use when writing?

Gabriel: One of the most valuable resources I’ve discovered for my writing journey is fantasynamegenerator. This site has been a treasure trove for me, helping craft unique character names, vivid scene descriptions, and compelling backstories, among other things. It’s truly been a game-changer, fueling my creativity and making the writing process so much more enjoyable!

Helen: Thank you so much for sharing this tool, hopefully it will help other writers too. What is the most useful piece of writing advice you’ve received, and by whom?

Gabriel: One of the most invaluable pieces of writing advice I’ve ever received—and believe me, I’ve encountered plenty—is simply this: “Write the story.” It’s a potent reminder that you can’t refine what isn’t there; you can’t edit a blank page. It’s interesting how many writers I’ve met echo this sentiment, each adding their unique twist. But the core message remains: start writing!

Helen: Every writer experiences self-doubt. How do you overcome the fear and the little voice in your head to keep writing?

Gabriel: Every single day, I remind myself that I am an author. I’ve poured my heart into writing four books, and there’s no sign of slowing down. The journey of crafting stories is an adventure I’m excited to continue!

As for fitting writing into my everyday life, it’s all about carving out those precious moments. Whether it’s early mornings, late nights, or even during lunchtime, I make it a priority to immerse myself in the world of words.

In addition to being a passionate writer, I dive into the world of podcasting through my YouTube channel, Tales from the Wandering Scribe. I also share my love for learning as a tutor. My writing habits have transformed me into a night owl, often finding my best inspiration under the stars. However, when the chance presents itself, I love to embrace the daylight and let my creativity flow during the day as well.

Helen: I believe writing because you have a passion for it is key. Do you listen to music when you write? If so, what do you listen to and why?

Gabriel: I absolutely love listening to music, particularly movie soundtracks! There’s something about those epic battle themes that really fires me up and sets the perfect atmosphere for writing my own thrilling battle scenes. They inspire me and immerse me in the action, making the creative process even more exhilarating!

Helen: With your books based in historical settings, I imagine you have to do a lot of research? How much research do you do for each book?

Gabriel: When diving into projects like Son of Persia and The Wolf of Rome, I put on my historian’s cap and embark on an exciting journey through historical records. It’s not just about bringing the classical age to life; it’s also about uncovering the hidden stories and untold truths of the ancient past that often lie beyond the surface.

Helen: I bet you find some amazing nuggets to base your stories on. With so much information at your fingertips are you a pantser or a planner? Do you write free form, or do you have a framework you stick to?

Gabriel: I’m a planner at heart, and there’s just no denying it! While I may sometimes venture into the spontaneous world of pantsing, there’s nothing quite like the thrill of being organized. For me, a well-structured plan is the backbone of creativity, allowing my ideas to flourish and take flight!

Helen: When you encounter writer’s block, what do you do to overcome it?

Gabriel: Take a breather for a few days and dive into something fresh! Whether it’s exploring a new story or tackling another exciting project on the side, give yourself the chance to refresh your creativity.

Helen: If you didn’t write historical fiction, then which genre would you like to try and write in next?

Gabriel: If I were to step outside my usual realms of historical fiction, sci-fi, or fantasy, I would love to dive into the gripping world of political thrillers or the enchanting depths of historical romance. Both genres offer such rich storytelling possibilities, and I can already imagine the thrilling plots and poignant characters that could come to life!

Helen: What is your favourite book and why do you like it so much?

Gabriel: One of my all-time favorite reads is “Clash of Eagles” by Alan Smale. This captivating novel was my first foray into speculative fiction, and it left a lasting impression. The story brilliantly envisions a world where the Roman Empire never crumbled, embarking on an ambitious quest to colonize the Americas in the 1200s. It’s a fascinating blend of history and imagination that truly brought me into the genre!

Helen: What are some of the books you have read recently that you would recommend to others?

Gabriel: I’ve been diving into some fantastic reads lately, all from incredibly talented indie authors. First up, there’s “Tides of Deception” by Caley Robinson—an absolute page-turner! Then I ventured into the mesmerizing world of “Treasures of Egypt” by Amr Saleh, where every twist kept me guessing. “Gentle Fury” by Dodge Merrin hit me with some profound themes, while “Invicta” by Chris Hackett took me on a thrilling ride. I can’t forget about “Season of the Dragon” by Natalie Wright, which whisked me away to a fantastical realm, and “The Nameless War” by Will Solomon, a gripping tale that had me on the edge of my seat. Each of these stories is a testament to the creativity and skill of indie authors—definitely worth checking out!

Helen: More books to add to the TBR! I love getting recommendations. From all the advice you’ve collected, what advice would you give new writers?

Gabriel: As a new writer, my best piece of advice is to embrace your unique voice and tell the story that stirs your heart. It’s easy to get caught up in the idea of writing for the market—many authors hear this advice and feel pressured to conform. But remember, true magic happens when you write from your own passion and inspiration. So dig deep, explore your creativity, and let your authentic story shine. It’s your journey—make it yours!

Helen: Thank you so much for joining me today, it’s been great learning about your books and your writing journey. I wish you every success with your books. Is there anything else you’d like to say?

Gabriel: As authors and writers, our greatest decision is how we choose to use the time we are given. The journey of being an author can be challenging, but many have thrived within this community, each carrying a unique story that deserves to be heard.

About the Author – Gabriel Garcia

Gabriel Garcia is more than just an indie author; he’s a vibrant storyteller and passionate historian who weaves tales across the realms of fantasy, speculative fiction, historical fiction, and science fiction. Growing up in the sun-soaked expanses of Southern California, Gabriel’s vivid imagination was ignited by his deep love of history and storytelling. Influenced by the literary prowess of masters like Bernard Cornwell, Conn Iggulden, and Brian Jacques, he channels his creative spirit into crafting narratives that captivate and inspire.

His literary adventure began with the release of his debut novel, The Gathering. This book was a labor of love, meticulously developed during his pursuit of a Master’s degree in History. That journey not only honed his writing skills but also deepened his appreciation for the intricate historical backdrops that enrich his stories. Building on this foundation, Gabriel has gone on to publish two more compelling books, each one exploring different facets of the human experience. Now, he’s hard at work on an exciting fourth novel that promises to be another enthralling addition to his body of work.

But Gabriel’s creativity doesn’t stop with writing novels. He also hosts the engaging podcast “Tales From The Wandering Scribe,” available on YouTube. Here, he connects with fellow writers and creatives, diving into meaningful conversations about their unique journeys and inspiring stories. His podcast is more than just a platform for writers; it’s an exploration of fascinating historical topics alongside historians and passionate hobbyists. Gabriel invites listeners to embark on a thrilling journey through history’s many layers, creating a dynamic space for anyone curious about the past. Join him on this remarkable adventure, and discover the exciting paths that lie ahead in the wondrous worlds of literature and history!

Author Website

Wandering Scribe podcast

Goodreads author page

Purchase The Wolf of Rome from Amazon:

UK: eBook | Paperback
USA: eBook | Paperback

As an Amazon Associate I may benefit from purchases made using these links.

Sign up to my newsletter and download a free novella called Sentinals Stirring and get notified when my next books are published.

Book Review Alert: Scale of the Dragon by Richard Fierce

Reviewed: March 27th, 2026
Released: July 5th, 2021
Genre: YA Epic Fantasy

Her key to freedom is also her torment.

Mina is an outcast. A childhood accident left her scarred and with a curse that her master exploits to hunt dragons for sport.

She wants freedom, from both her master and the curse, but unless the right dragon is killed, she’ll be a bondservant for the rest of her days.

With Mina’s uncanny ability and her master’s magical strength, the beast responsible for her misery will fall … even if she has to take matters into her own hands.

Read My Thoughts…

Author Interview – Estelle Tudor

Fantasy Author

It’s time to meet Indie author, Estelle Tudor and find out more about her book, The Vein Severed, a historical fantasy that released in August 2025.

Helen: Welcome, Estelle. It’s a pleasure to meet you. I actually checked out your book, and I read it in Kindle Unlimited. You took me away from my editing, but I enjoyed the tragic story of Rosella and Lorcan and the dark world of vampires. You can read my review here. But on with the interview. Tell us about your latest book.

Estelle: My most recent book is called The Vein Severed and is a tragic yet hopeful love story featuring Lady Roselle Lamont and her husband Lorcan from whom she has been separated for a century.

It is a story of betrayal, secrets, and loss but their love still remains. When the century of punishment and enforced separation comes to an end, the pair must try to reconcile with the past all while yearning for a future together. It is an ensemble cast of vampires and witches and takes place at the turn of the century 1899/1900.

Helen: It is a great premise and tempted me to read it. I must admit I am enjoying it, even though you are not being very kind to Roselle! How did you come up with the cover? It gives me a vintage vibe, which goes with the passage of time.

Estelle: I had a vision for the cover in colours of deep red and gold and gave my cover designer – Juniper at Red Fox Creative – free rein to add elements that resonated. She incorporated a beautiful rose (for Lady Roselle) and the locket which plays an important role in the story. It came together beautifully and embodies the gothic vampire love story feel.

Helen: The cover works really well. Why did you give it that title? Is there a special meaning or back story about the title?

Estelle: The title is so important to me as I wanted this tale to be told in a lyrical and haunting way. The Vein Severed represents the cutting of Roselle’s lifeforce, the separation from her family, and then subsequently her new husband, all while enforcing her abstinence. Her life was severed, and now she must pay the price in blood.

Helen: It’s so interesting finding out the meanings behind the title. What made you want to write this particular book?

Estelle: I wanted to indulge myself in a truly lyrical haunting piece of writing. I wrote the first line and the rest just came. It decided it was to be a vampire story, but one that centred on love and the hope of release. I took my time with it, pouring so much of myself into it and giving myself free rein to indulge in my sometimes purple prose-y heart, that I was emotionally drained afterwards. I am so proud of it and love how it turned out.

Helen: It is beautifully written. Even though it is a dark subject, it feels light and fluid and reminds me of Mary Stewart and her wonderful prose. When did you realise you had a passion for writing?

Estelle: At a young age actually. Books were always an escape for me, and when I discovered I could create my own tales and leave the worries of this world behind for a while it was so freeing and cathartic. I wrote from childhood until my early twenties, then had a long break to raise my four children. Returning to it seven years ago was like a homecoming. I picked up the pen again… and haven’t stopped. I now have 14 published novels under my belt, with many more sat on my computer.

Helen: Congratulations, that truly is a great achievement. The Vein Severed is dark fantasy. You mentioned you have fourteen books now, are they all fantasy?

Estelle: My brain is like a butterfly flitting from one idea to another, and so I write in multi-genres. My first publications were a five-book fantasy series for middle grade readers. My debut, Octavia Bloom and the Missing Key, won an award and saw it reaching the top ten of the Book Bloggers’ Novel of the Year Awards! I then progressed to YA Romantasy and then on to various genres in the adult market. I have returned to my roots this year and will have a children’s short novel published in the autumn with American publishing house, Watchful Wizard Publishing.

Helen: How exciting! Is there an author who inspired you write?

Estelle: C. S. Lewis was my first inspiration. His Chronicles of Narnia books changed my life as a child and made me believe in the impossible and fantastic. Later on, Terry Pratchett and his sublimely witty Discworld series, gripped my teenage heart, then I fell into the romance genre and discovered the prolific Nora Roberts, who still inspires me to this day.

Helen: Some great inspiration. How do you get the ideas for your books?

Estelle: They come to me, often with a one-liner or an image, and then if it continues to shout loudly at me, then I will write it. I have a queue in my mind of characters and whichever one is most demanding wins haha.

Helen: Now you have a few books under your belt. What advice would you give new writers?

Estelle: I always say to write with your heart, but edit with your head. That first draft—that beautiful landscape of potential—is for you and you alone. Be brave, daring even, and say the words that swirl around your mind. Later on, you can be a tad more ruthless and prune back the brambles to reveal the true core of the story as you would want it to be seen by others.

Helen: Nice. Lets chat a little about how you write. Do you listen to music when you write, if so, what do you listen to and why?

Estelle: I adore listening to music while I write. I am an immersive writer, so epic cinematic soundtracks such as The Pirates of the Caribbean scores or The Lord of the Rings really helps me get into the feel of my worlds. I also like haunting artists such as Loreen, Fleurie, Amy Lee, and Enya too.

Helen: Oh We have similar tastes. I prefer instrumental music as well. What about research? That can be a bit of of a rabbit hole. How much research do you do for each book?

Estelle: Gah! I love research, and have multiple, multiple tabs open on my computer while writing. My most recent WIP is based on Welsh myth, legend, and folklore, so you can imagine the deep dives I have being doing on that! It has been a joy to celebrate my country Wales, and incorporate the history I fell in love with while I worked at Cardiff Castle before having my children.

Helen: I wish we had time to chat about Cardiff Castle, but we we’re here to talk about your writing, so… Are you a pantser or a planner? Do you write free form, or do you have a framework you stick to?

Estelle: I believe I am a Pantser in that I don’t write down a formal plan, however, I ‘plot’ in my head. I can see my scenes like movies inside my mind and let them percolate for a while just before sleeping or awakening. Once they have seeded in my mind, I then write and let it flow organically.

Helen: I know authors read a lot, so I am always looking for more recommnedations. What are some of the books you read recently that you would recommend to others?

Estelle: Recently, I have been immersed in Emma Bradley’s Faerie multi-series, while beta reading for writing friend Aerin Apeltun. Both have an immersive way of writing and drawing you in with witty side characters and romantic plots. I also loved The Wycherleys by Annaliese Avery and have the second one on hold at the library – looking forward to diving in to that!

Helen: Those are some great recommendations. Thank you so much for joining me today, it’s been lovely chatting to you. Just to finish, one last question: Every writer experiences self-doubt. How do you overcome the fear and the little voice in your head to keep writing?

Estelle: This is such a tough one to answer, but I feel very important. It doesn’t matter how many books I write, or how many awards or 5-star reviews, there will still be that niggling voice inside my head that taunts ‘you are not good enough’. But still I write… why? Because I have to. Writing chooses you, I believe. It is a drumbeat inside your heart that won’t be sated until you put pen to paper or open up that new draft. As a creative, it is an outlet to freedom, and while I am inside my worlds, that voice is drowned out. Just for a little while…

Helen: Thank you so much for all your great advice. You are inspirational. I wish you lots of success with your books.

Estelle: Thank you so much for having me – this was a lot of fun!

About the Author – Estelle Tudor

When not searching the backs of wardrobes for Narnia, the bottom of the garden for fairies or exploring yet another Castle, Estelle can be found with her nose in a book or a pen in her hand.

Having previously worked at Cardiff Castle, she now writes full time while looking after her four children.

She lives on the beautiful South Wales coast with her husband, children and crazy dog.

She loves to connect with her readers and can be contacted on http://www.estellegracetudor.com or via her Instagram page @through_the_fairy_door_books

Purchase The Vein Severed from Amazon:

UK: eBook | Paperback
USA: eBook | Paperback

As an Amazon Associate I may benefit from purchases made using these links.

Sign up to my newsletter and download a free novella called Sentinals Stirring and get notified when my next books are published.

Book Review Alert: Kiss and Tell : How to Write Unforgettable Sex Scenes by Michelle Hazen

Reviewed: March 19th, 2026
Released: August 15th, 2026
Genre: Writing Aide

Dawn approaches…

Learn how to confidently write smoldering sex scenes…even if the idea of it has you nervous-giggling into a glass of Chardonnay.

This book is the holy grail for all spicy romance authors. Whether you’re a newbie who isn’t sure where to start or you’ve banged out so many sex scenes that your keyboard needs a cigarette break, this one’s for you.

As the author of nine critically-acclaimed—and very steamy—romances, I understand that lecturing yourself to “write this hotter!” isn’t enough. I’ve been a certified writing coach for nearly a decade, so I can lead you step-by-step through ACTUAL THINGS YOU CAN DO to turn your open-door scenes from “okay, let’s get this over with” to “melt your Kindle.”

Here’s a taste of what you’ll get:

Take the guesswork out of what makes something sexy or not.
Stand out from the herd by writing sex scenes with depth: character specific, emotionally complex, and hot as h*ll.
Deploy sneaky sentence-level tricks that will drive your readers’ subconscious experience.
Choose vocabulary that doesn’t sound like you’re teaching sex ed.
Advice that works for queer and straight romances alike. Nope, we’re not going to be hetero-norming over here!
Break down how to write a Big Kiss scene that has the trumpets swelling.
Analyze examples from authors at the top of their game, like Katee Robert, Tiffany Reisz, Natalie Naudus, and more!
BONUS: I’ll reveal the dirty secret of sex-scene writing that no one is supposed to say out loud–the one that’s going to revolutionize the way you look at sex scenes!

So go ahead. Grab some popcorn, kick your feet up, and let’s have a laugh along the way to making your happy couple even happier!

Read My Thoughts…

Author Interview – Martin Owton

Fantasy Author

It’s time to meet Indie author, Martin Owton, and find out more about his dark fantasy books.

Helen: Welcome, Martin. It’s a pleasure to meet you. Could you tell us about your book, Shadows of Faerie?

Martin: Shadows of Faerie – is a contemporary fantasy set in Southampton and The New Forest. Some might call it urban fantasy, but a fair bit of it takes place in rural settings. The cover shows someone passing through one of the portals to the Otherkin world.

The blurb – “Faerie serial killers in the New Forest”
For centuries countrywomen in England have kept a secret; if you go to the right part of the woods and sing the right song, an Otherkin man will appear and be your lover. Charlie Somes, 24, postgraduate chemistry student at Southampton University, is the product of such a liaison and is touch telepathic; a gift which blights his life as he cannot control it.

When Charlie discovers his gift works on the recently dead he is forced to use it to avoid a murder charge and then when the bodies of women who have taken faerie lovers start turning up, Charlie is the only person who can stop the serial killers.

Helen: Oh, Southampton was my university haunting ground, so it’s exciting to see a book set in that area. Charlie is your protagonist. Tell us about him and how you came to write him.

Martin: Charlie Somes – 24 – only child of a single mother, working on his PhD in synthetic organic chemistry. Nice friendly guy, no-one knows he doesn’t like touching people because he is uncontrollably touch telepathic – a gift from the father he has never met. There’s a lot of me in Charlie. Like him I grew up in the Waterside area between the New Forest and Southampton Water and did a PhD in chemistry at Southampton. I’m not touch telepathic, but the chemistry that appears in the book is real.

Why did I write about him? His voice came to me very quickly when I was supposed to be writing something else. He sounded a lot more interesting and his voice stayed with me for the journey. I don’t plan out my novels and just let the plot logic lead me. I think it lead me to good places with this story. There is a strong police procedural element, and I was fortunate enough to have to have the assistance of a fantasy-reading Detective Sergeant neighbour to advise me.

Helen: You are so lucky to be able quiz a detective about procedures, and bonus, they love fantasy. Why did you start writing?

Martin: Because I can, and I’ve got good at it. My mother wrote too, mainly short stories, but didn’t like my first novel.

Helen: That’s a shame, but our books are not for everyone! It’s finding the readers who will enjoy it that is the challenge. I see that Shadows of Fairie is dark fantasy. Which genre do you typically write?

Martin: Mainly fantasy – evenly split between traditional secondary world (2 novels published, another 2 in progress) and contemporary (2 novels). I’ve also written a bit of SF, but because of my background I know too much science and that stifles me. Why fantasy? I blame my hippie-chick teacher in the last year of junior school for reading the class The Hobbit for the last lesson on Friday afternoons. It caught me and has remained my favoured genre ever since. I enjoy the possibilities it offers.

Helen: What is the most useful piece of writing advice you’ve received?

Martin: Fix it in the rewrite. It is sometimes the case that you don’t know what the true story is until you’ve reached the end of it. Then you may realise the main character is not who you thought it is, that you started in the wrong placeand you don’t need those 6 chapters in the middle. All of which you cannot know until you’ve finished the first draft. Nobody expects you to get it right first time. All my books have had rewrites. My agent made me rework “ Shadows of Faerie” three times.

Helen: Great advice. If you don’t get your story down to begin with, there will be nothing to edit. What is the best thing that has happened to you since you began writing?

Martin: Gaining representation with a major fantasy agent. Regrettably this has not resulted in trade publishers buying my work. Shadows of Faerie did make it to one acquisition meeting though.

Helen: Getting an agent to represent you is an amazing achievement. Congratulations. Fingers crossed they find a home for your books. Do you have any advice for dealing with writer’s block? What do you do to overcome it?

Martin: Two suggestions – take a minor character from your work-in-progress and write a short story with them as main character. Second, consider what could be the worst possible thing for your main character(s) to have happen. Have it happen and make them deal with it.

Helen: What are some of the books you read recently that you would recommend to others?

Martin: The Green Man series by Juliet McKenna. Contemporary fantasy deeply rooted in British folklore. Protagonist is the son of a Dryad. First book – The Green Man’s Heir

The War For The Rose Throne – Peter McClean. Peaky Blinders with swords and magic. First book – Priest of Bones

The Mennik Throne series – Patrick Samphire. Renegade mage does fantasy detective noir. SPFBO finalist. First book – Shadow of a Dead God

The Sisters Mederos – Patrice Sarath. Georgette Heyer with magic

Helen: Those are some great recommendations. Now you have a few books under your belt. What advice would you give new writers?

Martin: Read a lot, be aware of trends in your genre. Work with other writers and don’t be afraid of seeking critique. Other writers are not going to steal your ideas; they’ve got enough of their own. If any one person doesn’t like an aspect of your story feel free to ignore them (unless they are your agent/editor!), but if two or more people raise the same issue then pay attention. Critique in return. Identifying flaws in a story that doesn’t quite work will teach you a lot about your own writing and improve it.

Helen: Thank you so much for joining me today, it’s been great learning about your book. Was there anything anecdotal you’d like to share?

Martin: The words of Peter Lavery, editorial director of Pan MacMillan, to me. “Two things get you there; talent and persistence.”

About the Author – Martin Owton

I was born in Southampton, Hampshire in 1958, and grew up on the edge of the New Forest. At the age of 13, I was lucky enough to win a county scholarship to Winchester College (1972-76). From there I went to St. Catharine’s College, Cambridge (1977-80) where I read Natural Sciences. I then went to Southampton University where I studied for a PhD in synthetic chemistry.

I spent two years as a post-doctoral fellow at St George’s Hospital Medical School in south London, where I met my wife Mary. We now live near Camberley in Surrey, where I work for the research division of a major international pharmaceutical company.

I have been writing seriously since 1995, and have had somewhere above 20 short stories published. I have also published 3 novels, two adventure fantasy novels Exile and Nandor (collectively the Nandor Tales) and one contemporary fantasy Shadows of Faerie.

Beside writing I follow cricket, and Southampton FC, and enjoy a good pub quiz.

Purchase Shadows of the Faerie from Amazon:

UK: eBook | Paperback
USA: eBook | Paperback

As an Amazon Associate I may benefit from purchases made using these links.

Sign up to my newsletter and download a free novella called Sentinals Stirring and get notified when my next books are published.

Book Review Alert: The Vein Severed by Estelle Tudor

Reviewed: March 13th, 2026
Released: August 25th, 2025
Genre: Dark Historical Fantasy

Dawn approaches…

Lady Roselle Lamont made an impossible choice a century before. Torn between the life of her twin sister, or new husband Lorcan’s freedom, she paid the ultimate price, resulting in one hundred years of punishment.

For love exacts a sacrifice, one coated in blood and betrayal.

With the century drawing to a close, Roselle resigns herself to facing retribution as she clings to the last vestiges of her humanity. When Lorcan discovers her on route to London, after being summoned by their punisher, Roselle must prove her love to him while plotting out her own revenge.

But the past is not all it seems, and new lies are revealed.

Roselle and Lorcan must decide who to trust in the dark and twisted dance of Court politics if they are to ensure their survival and any hope of a chance at a future together. Yet those who crave power cling to it with every last bloodied fang, and will not relinquish it so easily…

Read My Thoughts…

Book Review Alert: Flames Over Frosthelm by Dave Dobson

Reviewed: February 20th, 2026
Released: June 11th, 2019
Genre: Epic Fantasy

An Investigation Gone Awry Sometimes, your case takes a left turn. Or three or four. Marten Mingenstern and Boog Eggstrom are provisional inspectors, fresh out of Inquisitor’s Guild training and eager to prove themselves.

Assigned the mundane task of tracking down stolen jewels, they instead uncover a mysterious cult set on destroying the city.

After a thief explodes, they earn the enmity of a vicious noble, the Chief Inquisitor gets bought off and goes rogue, they are seized by barbarians, and they are sentenced to death at least a couple of times. In a final, frantic race with prophecy, they face ruthless fanatics, a city turned against them, and terrible forces long buried.

Read My Thoughts…

Book Review Alert: The Quiet Light by Casey Blair

Reviewed: February 1st, 2026
Released: March 10th, 2026
Genre: Cozy Fantasy

Kickstarter

Immortal dragons can’t mate with humans… or can they?

500 years ago, Yora went into magical stasis to escape her violent life as the Sage of Wrath. Now she’s awoken because a hunted dragon shifter needs help, but the last thing she wants is to go back to war.

She’d much rather stay in her cottage with the dragon, Zan, and eat every kind of ice cream she can imagine. Even if she knows better than to give in to the rush she feels around him… Dragons can’t mate with humans, and soon Zan will have to leave again.

But the dragon’s flight has brought danger to Yora’s doorstep. Dark powers are desperate to claim her destructive powers for themselves, and they’ll stop at nothing to bring her under their control.

Yora knows how to use her wrath to destroy. But if she can harness that same magic to build instead, maybe she can protect her found family in Crystal Hollow—and find a way to stay with Zan for all of their days, too.

Read My Thoughts…